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The Aesthetics of Comics -

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The Aesthetics of Comics by David Carrier
The Aesthetics of Comics by David Carrier
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The Aesthetics of Comics by Carrier, David
The Aesthetics of Comics by Carrier, David
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On Comics and Legal Aesthetics : Multimodality and the Haunted Mask of...
On Comics and Legal Aesthetics : Multimodality and the Haunted Mask of...
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On Comics and Legal Aesthetics: Multimodality and the Haunted Mask of Knowing by
On Comics and Legal Aesthetics: Multimodality and the Haunted Mask of Knowing by
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Sparring with Gil Kane : Debating the History and Aesthetics of Comics, Paper...
Sparring with Gil Kane : Debating the History and Aesthetics of Comics, Paper...
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On Comics and Legal Aesthetics : Multimodality and the Haunted Mask of Knowin...
On Comics and Legal Aesthetics : Multimodality and the Haunted Mask of Knowin...
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Garry Trudeau: Doonesbury and the Aesthetics of Satire (Great Comics Artists Ser
Garry Trudeau: Doonesbury and the Aesthetics of Satire (Great Comics Artists Ser
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Comic Performativities: Identity, Internet Outrage, and the Aesthetics of Commun
Comic Performativities: Identity, Internet Outrage, and the Aesthetics of Commun
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The Aesthetics of Comics by David Carrier (2001, Paperback)
The Aesthetics of Comics by David Carrier (2001, Paperback)
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The Aesthetics of Comics

Penn State University Press

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List Price: $30.95
Amazon Price: $30.95
Lowest New Price: $23.93
Lowest Used Price: $11.00
Total New: 19
Total Used: 25
DVD Details:
  • Starring:
  • Director:
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  • Rated:
  • Studio: Penn State University Press
  • Theatrical Release Date: Dec 31, 1969
  • DVD Release Date: Jan 01, 2000
  • Run Time:
  • ASIN: 0271021888
  • UPC:
  • Sales Rank: 3166601
Editorial Review from Product Description:

From Gary Larson?s The Far Side to George Herriman?s Krazy Kat, comic strips have two obvious defining features. They are visual narratives, using both words and pictures to tell stories, and they use word balloons to represent the speech and thought of depicted characters. Art historians have studied visual artifacts from every culture; cultural historians have recently paid close attention to movies. Yet the comic strip, an art form known to everyone, has not yet been much studied by aestheticians or art historians. This is the first full-length philosophical account of the comic strip.

Distinguished philosopher David Carrier looks at popular American and Japanese comic strips to identify and solve the aesthetic problems posed by comic strips and to explain the relationship of this artistic genre to other forms of visual art. He traces the use of speech and thought balloons to early Renaissance art and claims that the speech balloon defines comics as neither a purely visual nor a strictly verbal art form, but as something radically new. Comics, he claims, are essentially a composite art that, when successful, seamlessly combine verbal and visual elements.

Carrier looks at the way an audience interprets comics and contrasts the interpretation of comics and other mass-culture images to that of Old Master visual art. The meaning behind the comic can be immediately grasped by the average reader, whereas a piece of museum art can only be fully interpreted by scholars familiar with the history and the background behind the painting. Finally, Carrier relates comics to art history. Ultimately, Carrier?s analysis of comics shows why this popular art is worthy of philosophical study and proves that a better understanding of comics will help us better understand the history of art.